In the aftermath of Trump's election, a wave of regret and self-reflection seems to be washing over the celebrity world, with many admitting to having succumbed to societal pressure to uphold the narrative that Joe Biden was the ideal candidate and Kamala Harris, a joyful warrior.
This is according to David Strom, writing for Hot Air.
Strom observes that cultural figures, particularly comedians, are now expressing remorse for their past portrayals of Democrats as demigods and Republicans as demons. Jim Gaffigan, a comedian known for his harsh criticism of Trump, is one such figure expressing regret for his past actions, which Strom suggests may be due to a loss of fans or a genuine self-reflective moment.
Strom notes that Gaffigan's Twitter commentary, while "wrong, nasty, and over the top," was typical of the platform. He adds that the comedian's regret is not as striking as the admission by many of their silence due to peer pressure. He points out that while liberal figures in entertainment are typically liberal, the silence of conservatives or moderates has been more noticeable in recent years.
Strom also highlights the shift in comedy, which once prided itself on being countercultural and brave. He cites the likes of Lenny Bruce, George Carlin, and Norm Macdonald as examples of comedians who were not afraid to court controversy. However, he notes that Gaffigan's admission of the code of silence on Democrat flaws and the expectation of loyalty to the establishment is what stands out.
Strom argues that most celebrities are not co-conspirators with those in power, but rather, they are like the old Pravda newsreaders, saying what they are told or keeping silent when convenient. He suggests that Trump's victory has allowed those uncomfortable with their roles to voice their thoughts, citing Mark Zuckerberg as an example.
Justine Bateman, another celebrity who has been vocal after Trump's victory, is also mentioned by Strom. He notes that she admits the social pressure to conform changed her behavior during the Trump years, but she held back before Trump's victory as the alternative was career suicide.
Strom concludes by blaming those in the industry who were ready to join the cancel mobs, referring to them as Capos who kept the rest in line. He suggests that they deserve all the scorn that can be heaped on them.
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